Twin Mic Table
Two-mic interview desk with pop filters and closed headphones ready.
Voice studio
Voice sessions edited until speech sits clear without harsh shine
- Interview sessions
- Edit passes
- Episode repair
Treated booths, patient gain staging, and an edit pass that keeps breath and intention—each episode leaves labeled with take notes, not a broken player.
Book a slot
Named pieces
Recent work from the bench — each piece is titled so you can reference it when you book.
Booth Close
Single voice booth with large-diaphragm mic and dark fabric walls.
Wave Desk
Edit desk with waveform monitors and a quiet control layout.
“They kept my pauses where they mattered and cleaned the chair squeak I never heard.”
— Host client
Common questions
How long is a two-guest session?
Most interview blocks run 90 minutes including setup and slate checks.
Do you deliver audio files?
Yes—we hand off labeled stems and a master; this site shows covers and notes, not embedded players.
Can you repair a noisy remote take?
Often—send a sample; we quote after hearing the worst minute.
Style-talk before booking?
Recommended for new shows so mic distance and pacing are set once.
Weekend slots?
Saturday by appointment when weekday evenings are full.
How a commission moves
Numbered studio verbs from first measure to handoff.
01. Brief
We lock format, guest count, and target length before the booth opens.
02. Track
Levels are set; takes are labeled; spill notes go on the session sheet.
03. Edit
Breaths, ums, and room tone are shaped; we never replace your voice with a stock bed.
Visit the bench
Appointments keep the workspace clear. Walk-ins are rare; send a request and we confirm a slot by email.
ul. Józefa 28, 31-056 Kraków
Mon–Fri 10:00–14:00 and 16:00–20:00; Sat by appointment
Same-week openings are confirmed by email after you send the booking form.
How sessions are shown
We deliver labeled audio files by secure link after each booking. This page uses still photos and written notes only—no embedded players—so you can review the booth setup before you request a slot.
Materials and pacing
Hosts often arrive with a show format and a question about booth time. We answer with mic distance and gain notes first, then a clear slot length for tracking.
The control room keeps spare pop filters and labeled cables so changeovers stay quiet between guests.
We write down what you chose and what we refused—heavy music beds under speech, crushed limiters, or edits that erase your pacing—so the master matches the brief.
Sessions are paced so the booth air stays fresh. If a slot is full, we offer the next evening window rather than stacking rush edits that thin the voice.
Handoff notes list take numbers, guest names, and where room tone lives on the drive—no broken players on this site, only covers and sentences about the work.
Remote guests need a quiet room and a wired headset when possible. Send a thirty-second sample before the day so we can warn about echo early.
We do not promise chart rankings. We promise labeled takes, patient edit passes, and a reply when your booking form lands.
If you are launching a series, tell us the publish cadence early. Style-talk seats lock mic habits once so later episodes stay consistent.